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05 Leden 2010

Re:live/Third International Conference on the Histories of Media Art, Science and Technology

Third International Conference on the Histories of Media Art, Science and Technology took place in Melbourne in late November. For more information please visit their website!
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16 Prosinec 2009

Nová publikace/Umění bez hranic: Mezinárodní spolupráce a mobilita v oblasti kultury

Hlavním cílem publikace, kterou vydal Institut umění v prosinci 2009, je nabídnout umělcům, kulturním pracovníkům i studentům praktického průvodce při hledání možností podpory mobility a mezinárodních kulturních projektů, ať už prostřednictvím konkrétních programů či formou zapojení se do nadnárodních oborových organizací a sítí. Publikace nabízí i základní přehled o možnostech výjezdů do zahraničí formou stipendií a rezidencí.
Bližší informace a publikaci ve formátu pdf. naleznete na stránkách Institutu umění.
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15 Říjen 2009

A PhD studentship in the Faculty of Art & Design, Swansea Metropolitan University

A PhD studentship in the Faculty of Art & Design, Swansea Metropolitan University, worth £10,000 per annum for 3 years, plus fees, is available for research into art, science and technology interactions.
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14 Říjen 2009

Tissue Culture Lab at the VivoArts School for Transgenic Aesthetics

A couple of week ago, i was back at the VivoArts School for Transgenic Aesthetics Ltd., Adam Zaretsky and Waag Society's temporary research and education institute in Amsterdam.
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06 Říjen 2009

Interview with Mark Leckey

For anyone who has found pleasure in the dancing, drinking, and melancholy of Mark Leckey’s collage films—or the witty lyrics of his bands, JackTooJack and the defunct donAteller—it was a surprise when the British press labeled his work esoteric and over-intellectualized following his receipt of the Turner Prize last year. Perhaps the work featured in the exhibition of nominees, Cinema in the Round, lost something in the translation from a performance to a gallery installation. Leckey’s staged lecture wove Felix the Cat, Philip Guston, and The Titanic into an idiosyncratic history of art and film. Mark Leckey in the Long Tail, a new talk that premiered at the Institute of Contemporary Art, London earlier this year, takes the same approach and extends his argument into the twenty-first century, using examples and props to visualize how an internet-based economy has changed distribution, demand, and creativity. ItsU.S. premiere, organized by the Museum of Modern Art, will take place at the Abron Arts Center on Oct. 1, 2, and 3. - Brian Droitcour
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